The Metropolitan Museum of Art
New-York, US

1892

This quilt stands out for its historical significance as the inscription, beautifully embroidered in red wool chain stitch, enables its secure dating to the nineteenth century — an exceptional attribute among Amish examples. Evidently, the earliest Amish quilts followed a simple composition with a distinct central focus, drawing inspiration from the central-medallion quilts favoured in the "English" community during the early nineteenth century. Created in Lancaster County, this quilt adheres to the region's preference for limited pieced patterns deemed acceptable. Interestingly, it presents an unconventional rendition of the more common center-square pattern. Notably, the dark orange fabric on the top border, which contrasts the other three sides of dark red, and the presence of an inner border only on two sides contribute to a less-well-planned, symmetrical appearance when compared to later Amish examples. The influence of the area's Germanic heritage is evident through the incorporation of traditional Pennsylvania German tulip motifs adorning the ends of the wide side borders, adding a distinct and culturally rich touch to the quilt's design.

This magnificent piece exemplifies Amish quilting craftsmanship and offers a captivating glimpse into the artistic evolution and cultural influences shaping quilting practices in Lancaster County during the nineteenth century.