Detroit Institute of Arts Museum
Detroit, US

1875

Whistler's most infamous painting captures a fireworks display at London's Cremorne Gardens. It became the center of a heated libel suit involving the renowned art critic John Ruskin and the artist himself. Ruskin publicly insulted the work, remarking, "I have seen, and heard, much of cockney impudence before now; but never expected to hear a coxcomb ask two hundred guineas for flinging a pot of paint in the public's face". Whistler, not taking this defamation lightly, took Ruskin to court and emerged victorious in the legal battle. However, the court awarded him mere token damages of one farthing. The painting belongs to Whistler's series of Nocturnes, characterized by their moody atmosphere, subtle palette, and overall tonalist qualities. These works often evoke a sense of mystery and contemplation, capturing the ethereal beauty of nocturnal scenes. Despite the controversy surrounding this particular painting, Whistler's Nocturnes became a significant part of his artistic legacy, showcasing his unique approach to capturing the essence of the night through art.