Städtische Galerie im Lenbachhaus und Kunstbau München
München, DE

1913 Formes circulaires, lune no. 1 by Robert Delaunay is an iconic example of the Orphism art movement, which Delaunay co-founded along with his wife Sonia Delaunay. This movement is characterised by its use of vibrant colours and geometric shapes to convey a sense of rhythm and movement, akin to the abstract representation of music.

In Formes circulaires, lune no. 1, Delaunay uses concentric circles and a dynamic colour palette to create a sense of depth and motion, embodying the principles of Orphism. The painting reflects Delaunay's interest in how color and form can interact to create a visual harmony that transcends literal representation, instead evoking an emotional and sensory experience​.

Delaunay's work during this period was heavily influenced by his studies of colour theory and his interactions with other avant-garde artists. His exploration of how colours could be used independently of form was groundbreaking and contributed significantly to the development of abstract art in the early 20th century​.